"What I mean to say is, if she's angry at your backing me up—what will you do then? She can't possibly like it, you know." "Do you mean in the way of justifying you?"!

The girl hung fire a few seconds. "Derived from him." "I dare say I did; it was for the 19th. But we've altered that—she wants to shift it." He looked out of the window; then he said: "In fact, it won't come off till Mummy has come round."

"Then of course she won't like your changing." "I don't exactly know what you mean by a regular kick-up. We shall naturally have a great deal of discussion—if she consents to discuss the matter at all. That's why you must decidedly give her two or three days." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"